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But the most difficult to see distortions are not the “alternative facts” and “fake news” of right-wing discourse, but the facts that are left out, the voices that are not heard. We’re in an age where sophisticated critiques of that style and its assumptions are becoming familiar, but it still has its power to distract us from questioning the “facts” we see so carefully and densely reported. Let’s look at the Tribune’s reporting, since, among the papers that covered the strike, it is the most detailed.īias in reporting can be subtle We are taught to value the objective reporting style of the big dailies, which model fairness and impartiality. It is as well a story about how power gets to write its own story. And, as always, there is the way the story in each of its parts is told to the rest of us by the news media, which are also struggling with deep cuts to staffing and quality, also with more journalists pushed down into the precariat. Art student friends take note: This story is also about the place of the arts and artists in America, with the peculiarities of labor-management conflict in the non-profit world. Management claims they have no choice but to cut salary and the number of performances - more middle class professionals straddling regular employment and the gig economy. It’s in one part a typical labor struggle. The headline can be simple, but it’s a story with many layers, and when you pry them apart, they tell you a lot about America. “Chicago Lyric Opera Musicians Walk Out as Season Opens” ( NY Times).
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